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The exhibition “Journeys with ‘The Waste Land’” tries, perhaps too hard, to embrace the poem’s multiplicity. This does not altogether work. There’s an air of clutter, of packing too much in, of a lack of direction that leaves visitors baffled. The clue to the problem lies in the exhibition’s slippery subtitle, “A visual response to T.S. Eliot’s poem.” The show, it turns out, is not the response of artists, but of the group itself. Some artworks here respond directly to The Waste Land, others to Eliot and Modernism more generally. Many more are included simply to conjure moods and themes.